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Jean-Luc Godard's Pierrot le fou (1965), made at the height of the French New Wave, remains a milestone in French cinema. More accessible than his later films, it represents the diverse facets of Godard's concerns and themes: a bittersweet analysis of male-female relations; an interrogation of the image; personal and international politics; the existential dilemmas of consumer society. This volume brings together essays by five prominent scholars of French film. They approach Pierrot le fou from the perspectives of image-and-word-play, aesthetics and politics, history, and high- and popular...

Steven Seidman examines the implications for social theory and sexual politics of taking difference seriously. He explores the troubles difference can make for the social sciences and for the very people--feminists, queer theorists, postmodernists--who champion difference. This is a wide-ranging and sophisticated discussion of contemporary social theory and sexual politics, focusing on difference, knowledge and power. It also argues persuasively for a pragmatic approach to questions of difference in theory and politics.