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From Shakespeare's gender-bending play Twelfth Night to the the critically-acclaimed Broadway hit Angels in America, from 17th century kabuki theater of Japan--performed by cross-dressing prostitutes--to the NEA-denounced performance art of Holly Hughes, theater has long been--as co-editor Alisa Solomon terms it--the queerest art.

The Queerest Art is a pioneering collection of essays by and conversations among a diverse range of leading theater academics and artists. The first anthology to bring scholars and makers of queer theater into direct dialogue,...

In the half-century since its premiere, Fiddler on the Roof has become a supremely potent cultural landmark, beloved by audiences the world over. Now, in a history as captivating as its subject, award-winning drama critic Alisa Solomon traces how and why the story of Tevye the milkman, the creation of the great Yiddish writer Sholem-Aleichem, was reborn as blockbuster entertainment and a cultural touchstone, not only for Jews and not only in America.

It is first a story of the theater, as Solomon follows Tevye from his humble appearance on the New York Yiddish stage, through...

From Shakespeare's gender-bending play Twelfth Night to the the critically-acclaimed Broadway hit Angels in America, from 17th century kabuki theater of Japan--performed by cross-dressing prostitutes--to the NEA-denounced performance art of Holly Hughes, theater has long been--as co-editor Alisa Solomon terms it--the queerest art.

The Queerest Art is a pioneering collection of essays by and conversations among a diverse range of leading theater academics and artists. The first anthology to bring scholars and makers of queer theater into direct dialogue, the...