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Originally published in 1990, this comprehensive volume addresses the central issues of sentence and discourse processes, with particular emphasis placed on reading and listening comprehension. The text material is accessible to both upper-level undergraduate and graduate students and informative for professionals and educators. In this regard, this uncommon volume identifies the logic of both the specific experimental manipulations that are described, and the more general on-line and memory measures frequently invoked. The principles presented in the text are supported by hundreds of...

"Magisterial in its historical sweep, fiercely democratic in its vision, Whose Millennium? is the thinking person's 'bridge to the 21st century.' There is an alternative to rampant inequality and the corruptions of power, and-ever so modestly and persuasively-Daniel Singer points the way."
i>--Barbara Ehrenreich

This visionary book challenges the chorus of resignation-the notion that there is no alternative, that profit is the best relationship between people, and that the market guarantees democracy. Daniel Singer insists that a more free and egalitarian society can be won,...

Posing Sex: Towards a Perceptual Ethics for Literary and Visual Art views the long and provocative tradition of representing the sexual act in Western art as an occasion for challenging assumptions about personhood.

It is uncontroversial that what Singer dubs the "sex-image," the artist's posing of human figures in the act of coitus, is an enduring compositional armature for artists from antiquity to the present. Singer, however, makes the quite controversial claim that this aesthetic practice, in literature and painting especially, serves as a powerful metier for exploring...

Current philosophical discussions of self-deception remain steeped in disagreement and controversy. In The Self-Deceiving Muse, Alan Singer proposes a radical revision of our commonplace understanding of self-deception. Singer asserts that self-deception, far from being irrational, is critical to our capacity to be acute "noticers" of our experience. The book demonstrates how self-deception can be both a resource for rational activity generally and, more specifically, a prompt to aesthetic innovation. It thereby provides new insights into the ways in which our imaginative powers...

"The work is indispensable for deciphering no longer known proverbs in collective manuscripts and in texts far beyond the Middle Ages."
Prof. Dr. Johannes Janota