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This is the first book to analyse the aesthetics and narrative structures of Bertolucci s films by using affective and cognitive theory in order to determine the ways in which they engage viewers emotionally and intellectually, as well as to re-establish a sense of proportion with regard to the psychoanalytical interpretations of his work, particularly the omnipresence of the Oedipus complex and the consequent proliferation of perceived father and mother figures. This innovative study analyses Bertolucci s fiction films from the beginning of his career up to his controversial depiction of the...