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This is the third book in the innovative TRACEY series on contemporary drawing.

Drawing Ambiguity builds upon its predecessors, Drawing Now: Between the Lines of Contemporary Art, 200 7 and Hyperdrawing: Beyond the Lines of Contemporary Art, 2012, by proposing that a position of ambiguity, a lack of definition, is not only desirable within fine art drawing but also necessary - having the capacity to enable and sustain drawing practices. What happens if we are ambivalent to what is a drawing, or what drawing is?

The editors Russell Marshall and Phil Sawdon bring together...