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John Hughes was an Irish immigrant who played a significant role in the establishment of the Church in northeastern United States before the Civil War. As Bishop and then Archbishop of New York, he was the leader and protector of his people during the Nativist and Know-Nothing movements, constantly reminding his flock by word and deed of their duties as American citizens. Intensely devoted to his adopted land, the Archbishop responded loyally when asked to perform any public service. One of his admirers was Abraham Lincoln who sent him to the court of Napoleon III in France to win support...

In National Performance, Erin Hurley examines the complex relationship between performance and national identity. How do theatrical performances represent the nation in which they were created? How is Quebecois performance used to define Quebec as a nation and to cultivate a sense of 'Quebec-ness' for audiences both within and outside the province? In exploring Expo 67, the critical response to Michel Tremblay's Les Belles Soeurs, Carbone 14's image-theatre, Marco Micone's writing practices, Celine Dion's popular music, and feminist performance of the 1970s and 80s,...

DO YOU BELIEVE IN EVERLASTING LOVE?

Jay Danforth Fitzgerald, known as "Fitz" to his few remaining friends, has learned from long and painful experience that there is no such thing as love that lasts. A failed an aging stockbroker full of angst and self-loathing, he fritters away his nights in Tiddly's Bar and his days aboard a derelict sailboat stuck in the mud of Charleston Harbor. But when he meets a much younger woman named Gemma, his world changes forever.

Award-winning author Michael Hurley has crafted a tale for the ages about the love we leave behind and...

In National Performance, Erin Hurley examines the complex relationship between performance and national identity. How do theatrical performances represent the nation in which they were created? How is Quebecois performance used to define Quebec as a nation and to cultivate a sense of 'Quebec-ness' for audiences both within and outside the province? In exploring Expo 67, the critical response to Michel Tremblay's Les Belles Soeurs, Carbone 14's image-theatre, Marco Micone's writing practices, Celine Dion's popular music, and feminist performance of the 1970s and 80s,...