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What happens when a crew of gung ho and over the top young Army filmmakers wind up in the middle of the "other" war in Vietnam? Readers are calling D.A.S.P.O. "the MASH of the Vietnam War." That's because the Department of the Army Special Photographic Office crews were not supposed to be combat photographers. They hoped to be the next generation of filmmakers, but they found themselves in the you-know-what all too often, They stumbled into the enormity of the drug trade...retrieved babies that were bought and sold...had unspeakable experiences in Saigon Tea Bars...and rescued the Girl With...