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No Place for a Lady charts Thea Rosenbaum's turbulent life from a little girl escaping the Soviet Army with her mother in Berlin in 1945 to becoming Germany's first woman stock broker at Oppenheimer and Co. to Germany's only woman war correspondent in Vietnam. She then embarked on a career as producer for ARD German television in the US, where she was White House pool producer for foreign correspondents from the late '70s to late 2000s. In this capacity, she traveled with five presidents and was present in Germany for the end of the Cold War as the Berlin Wall fell. Her life, as a...

Starting in the Deep South of his boyhood, Rosenbaum leads us through a series of "screen memories," making us aware of movies as markers of the past--when and where we saw them, with whom, and what we did afterward. The mood swings easily from sensual and poignant...

With the publication of Elijah Visible, Thane Rosenbaum emerged as a fresh and important new voice on the American literary scene, a young writer in the great Jewish storytelling tradition of Isaac Bashevis Singer and Isaac Babel. In this haunting debut, Rosenbaum weaves together nine postmodern tales about Adam Posner, a young man determined to climb the American corporate ladder, who finds himself paralyzed by he legacy of the Holocaust. Encumbered by the psychic screams of his deceased parents, Posner embodies the disintegration, as well as the spiritual search, of the modern...

In his astute and deeply informed film reviews and essays, Jonathan Rosenbaum regularly provides new and brilliant insights into the cinema as art, entertainment, and commerce. Guided by a personal canon of great films, Rosenbaum sees, in the ongoing hostility toward the idea of a canon shared by many within the field of film studies, a missed opportunity both to shape the discussion about cinema and to help inform and guide casual and serious filmgoers alike.

In Essential Cinema, Rosenbaum forcefully argues that canons of great films are more necessary than ever, given that...

The esteemed film critic Jonathan Rosenbaum has brought global cinema to American audiences for the last four decades. His incisive writings on individual filmmakers define film culture as a diverse and ever-evolving practice, unpredictable yet subject to analyses just as diversified as his own discriminating tastes. For Rosenbaum, there is no high or low cinema, only more interesting or less interesting films, and the pieces collected here, from an appreciation of Marilyn Monroe s intelligence to a classic discussion on and with Jean-Luc Godard, amply testify to his broad intellect and...