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Whether you're listening in a concert hall or on your iPod, concert music has the power to move you. The right knowledge can deepen the ability of this music to edify, enlighten, and stir the soul. In How to Listen to Great Music, Professor Robert Greenberg, a composer and music historian, presents a comprehensive, accessible guide to how music has mirrored Western history, that will transform the experience of listening for...

Greenberg tackles one of Kant s most difficult ideas: that we can be the cause of our actions only if the act of our will is free of everything that makes up who we are as individuals. This entails that our free will does not exist in the same time that includes our individuality.

The key is an analysis of Kant s concept of an action, which includes the will as the cause of the action; so included, the causal connection is atemporal.

The prevailing interpretation of Kant's First Critique in Anglo-American philosophy views his theory of a priori knowledge as basically a theory about the possibility of empirical knowledge (or experience), or the a priori conditions for that possibility (the representations of space and time and the categories). Instead, Robert Greenberg argues that Kant is more fundamentally concerned with the possibility of a priori knowledge--the very possibility of the possibility of empirical knowledge in the first place.

Greenberg advances four central theses: (1) the...

The prevailing interpretation of Kant's First Critique in Anglo-American philosophy views his theory of a priori knowledge as basically a theory about the possibility of empirical knowledge (or experience), or the a priori conditions for that possibility (the representations of space and time and the categories). Instead, Robert Greenberg argues that Kant is more fundamentally concerned with the possibility of a priori knowledge--the very possibility of the possibility of empirical knowledge in the first place.

Greenberg advances four central theses: (1) the...

Analytic philosophy has leveled many challenges to Kant's ascription of necessary properties and relations to objects in his Critique of Pure Reason. Some of these challenges can be answered, it is argued here, largely in terms of techniques belonging to analytic philosophy itself, in particular, to its philosophy of language. This Kantian response is the primary objective of this book. It takes the form of a compromise between the real existence of the objects that we can intuit and that get our knowledge started - dubbed initiators - and the ideality of the necessary...

One late spring morning the American artist Jackson Pollock began work on the canvas that would ultimately come to be known as Number 1, 1950 (Lavender Mist).

Award-winning authors Jan Greenberg and Sandra Jordan use this moment as the departure point for a unique picture book about a great painter and the way in which he worked. Their lyrical text, drawn from Pollock's own comments and those made by members of his immediate circle, is perfectly complemented by vibrant watercolors by Robert Andrew Parker that honor his spirit of the artist without imitating his...

Clement Greenberg (1909-1994) was a colossus of twentieth-century American art, achieving a degree of authority almost unimaginable for a critic today. For more than thirty years he was both lionized as a proponent of formalism and criticized for his perceived dogmatism. In the postwar period Greenberg used his position of influence to advocate the importance of abstract expressionism and color-field painting and to establish the careers of such artists as Jackson Pollock, Hans Hofmann, Barnett Newman, and Willem de Kooning. With the coming of pop art, performance and conceptual art, and...

H.P. Lovecraft is one of the most influential modern horror writers. Lovecraft's fiction is a category unto itself. Eschewing the traditional werewolves, vampires, and ghosts of most horror fiction, he wrote of dread Elder Gods and cosmic, earth-shattering horrors. Lovecraft mined rich veins of terror uniquely his own, and wherever in the known and unknown universe his imagination sped, readers followed--fascinated, enrapt, and terrified by the scope of his dark vision.

More than fifty years after his death, Lovecraft's fiction continues to influence each new generation of horror...