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The hunter becomes prey, as a heist goes sour and Parker finds himself trapped in a shuttered amusement park, besieged by a bevy of local mobsters. There are no exits from Fun Island. Outnumbered and outgunned, Parker can't afford a single miscalculation. He's low on bullets-but, as anyone who's crossed his path knows, that definitely doesn't mean he's defenseless.

"Nobody tops Stark in his objective portrayals of a world of total amorality." -New York Times

"Energy and imagination light up virtually every page, as does some of the best hard-boiled prose ever to grace...

After the publication of Butcher's Moon in 1974, Donald Westlake said, "Richard Stark proved to me that he had a life of his own by simply disappearing. He was gone." And readers waited.

But nothing bad is truly gone forever, and Parker's as bad as they come. According to Westlake, one day in 1997, "suddenly, he came back from the dead, with a chalky prison pallor"-and the novels that followed showed that neither Parker nor Stark had lost a step.

Backflash finds Parker checking out the scene on a Hudson River gambling boat. Parker's no fan of either relaxation...

Deadly Edge bids a brutal adieu to the 1960s as Parker robs a rock concert, and the heist goes south. Soon Parker finds himself-and his woman, Claire-menaced by a pair of sadistic, drug-crazed hippies. Parker has a score to settle while Claire's armed with her first rifle-and they're both ready to usher in the end of the Age of Aquarius.

"Richard Stark's Parker novels . . . are among the most poised and polished fictions of their time and, in fact, of any time." - John Banville, Bookforum

"The Parkers read with the speed of pulp while unfolding with an almost...

After the bloodbath of Butcher's Moon, the action-filled blowout Parker adventure, Donald Westlake said, "Richard Stark proved to me that he had a life of his own by simply disappearing. He was gone." And for nearly twenty-five years, he stayed away, while readers waited.

But nothing bad is truly gone forever, and Parker's as bad as they come. According to Westlake, one day in 1997, "suddenly, he came back from the dead, with a chalky prison pallor"--and the resulting novel, Comeback, showed that neither Stark nor Parker had lost a single step. Knocking over a highly...

The sixteenth Parker novel, Butcher's Moon is more than twice as long most of the master heister's adventures, and absolutely jammed with the action, violence, and nerve-jangling tension readers have come to expect. Back in the corrupt town where he lost his money, and nearly his life, in Slayground, Parker assembles a stunning cast of characters from throughout his career for one gigantic, blowout job: starting-and finishing-a gang war. It feels like the Parker novel to end all Parker novels, and for nearly twenty-five years that's what it was. After its publication in 1974,...

Parker, the ruthless antihero of Richard Stark's eponymous mystery novels, is one of the most unforgettable characters in hardboiled noir. Lauded by critics for his taut realism, unapologetic amorality, and razor-sharp prose style-and adored by fans who turn each intoxicating page with increasing urgency-Stark is a master of crime writing, his books as influential as any in the genre. The University of Chicago Press has embarked on a project to return the early volumes of this series to print for a new generation of readers to discover-and become addicted to.

"The""Rare Coin Score"...

Parker, the ruthless antihero of Richard Stark's eponymous mystery novels, is one of the most unforgettable characters in hardboiled noir. Lauded by critics for his taut realism, unapologetic amorality, and razor-sharp prose style-and adored by fans who turn each intoxicating page with increasing urgency-Stark is a master of crime writing, his books as influential as any in the genre. The University of Chicago Press has embarked on a project to return the early volumes of this series to print for a new generation of readers to discover-and become addicted to.

In The Handle,...

Donald E. Westlake is one of the greats of crime fiction. Under the pseudonym Richard Stark, he wrote twenty-four fast-paced, hardboiled novels featuring Parker, a shrewd career criminal with a talent for heists. Using the same nom de plume, Westlake also completed a separate series in the Parker universe, starring Alan Grofield, an occasional colleague of Parker. While he shares events and characters with several Parker novels, Grofield is less calculating and more hot-blooded than Parker; think fewer guns, more dames.

Not that there isn't violence and adventure aplenty. The third...

You probably haven't ever noticed them. But they've noticed you. They notice everything. That's their job. Sitting quietly in a nondescript car outside a bank making note of the tellers' work habits, the positions of the security guards. Lagging a few car lengths behind the Brinks truck on its daily rounds. Surreptitiously jiggling the handle of an unmarked service door at the racetrack.
They're thieves. Heisters, to be precise. They're pros, and Parker is far and away the best of them. If you're planning a job, you want him in. Tough, smart, hardworking, and relentlessly...

Bank robberies should run like clockwork, right? If your name's Parker, you expect nothing less. Until, that is, one of your partners gets too greedy for his own good. The four-way split following a job leaves too small a take for George Uhl, who begins to pick off his fellow hoisters, one by one. The first mistake? That he doesn't begin things by putting a bullet in Parker. That means he won't get the chance to make a second. One of the darkest novels in the series, this caper proves the adage that no one crosses Parker and lives

"Whatever Stark writes, I read. He's a stylist, a...

Between Parker s 1961 debut and his return in the late 1990s, the world of crime changed considerably. Now fake IDs and credit cards had to be purchased from specialists; increasingly sophisticated policing made escape and evasion tougher; and, worst of all, money had gone digital the days of cash-stuffed payroll trucks were long gone.But cash isn t everything: "Flashfire" and "Firebreak" find Parker going after, respectively, a fortune in jewels and a collection of priceless paintings. In "Flashfire," Parker s in West Palm Beach, competing with a crew that has an unhealthy love of...