Acknowledgments Foreword by Tim Blake Nelson Foreword by Walter Reich Foreword by Michael Berenbaum and Edward Jacobs Foreword by David Zucker Author's Preface and Introduction 1. Narrative Holocaust Film Basics Defining Narrative Film 13 Defining Holocaust Film 15 Creating a Definitive Holocaust Film List 16 Grouping Holocaust Films: The "4+1 Genre" System 19 Non-Holocaust Films: Shorts, Television Episodes, Documentaries and Miniseries 28 2. Stats and Eras Holocaust Film Stats 32 Four Eras of Holocaust Film 43 3. Surprising Holocaust Film Traits Fiction vs. Non-Fiction 55 Non-American Holocaust Film Production 60 American Guilt 70 God, the Holocaust and Holocaust Exploitation 73 4. The Unavoidables: Elie Wiesel, Anne Frank, Oskar Schindler and Oscar Bait Elie Wiesel: The Elephant in the Room 79 Anne Frank: A Microcosm of Holocaust Film 83 The Black Hole of Holocaust Films: Schindler's List (1993) & Friends 96 Oscar Bait 107 5. A Practical History of Holocaust Filmmaking in Hollywood 6. The Greatest Narrative Holocaust Film Ever Made 7. Roman Polanski and The Pianist (2002) 8. Holocaust Film Curriculum Planning: The "SOFTA" System Students 158 Objectives 165 Follow-Up 168 Time 173 Administrative 175 Summary 176 9. Recommended Holocaust Films The 52 Best Holocaust Films 181 The Very Best Holocaust Films 275 Epilogue: Eva.Stories and Holocaust Film Trends Appendix I: List of Holocaust Films Appendix II: Non-Holocaust Films Often Miscategorized as Holocaust Films Chapter Notes Bibliography Index