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Medievalists from various disciplines who study books present 15 essays on paleography, music, drama, and liturgy. Among their topics are a typology of late-antique and medieval pen grips, erasures in 13th-century music, women's lament and the neuming of the classics, Baghdad rhythmic theories and practices in 12th-century Andalusia, a hypothesis c

The interdisciplinary approach of Music and Medieval Manuscripts is modeled on the work of the scholar to whom the book is dedicated. Professor Andrew Hughes is recognized internationally for his work on medieval manuscripts, combining the areas of paleography, performance, liturgy and music. All these areas of research are represented in this collection with an emphasis on the continuity between the physical characteristics of medieval manuscripts and their different uses. Albert Derolez provides a landmark and controversial essay on the origins of pre-humanistic script, while Margaret Bent...