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Exploring the sweet and savory dishes of San Francisco has never been easier. This exquisitely prepared guide through the numerous flavors of one of the most popular cities in America will take you on an unforgettable adventure with steep hills, exciting landmarks, and incredibly...

No Place for a Lady charts Thea Rosenbaum's turbulent life from a little girl escaping the Soviet Army with her mother in Berlin in 1945 to becoming Germany's first woman stock broker at Oppenheimer and Co. to Germany's only woman war correspondent in Vietnam. She then embarked on a career as producer for ARD German television in the US, where she was White House pool producer for foreign correspondents from the late '70s to late 2000s. In this capacity, she traveled with five presidents and was present in Germany for the end of the Cold War as the Berlin Wall fell. Her life, as a...

Many years have passed since Oliver Levin -- a bestselling mystery writer and a lifetime sufferer from blocked emotions -- has given any thought to his parents, Holocaust survivors who committed suicide. But now, after years of uninterrupted literary output, Oliver Levin finds himself blocked as a writer, too. Oliver's fourteen-year-old daughter, Ariel, sets out to free her father from his demons by summoning the ghosts of his parents, but, along the way, the ghosts of Primo Levi, Jerzy Kosinski, and Paul Celan, among others, also materialize in this novel of moral philosophy and...

Starting in the Deep South of his boyhood, Rosenbaum leads us through a series of "screen memories," making us aware of movies as markers of the past--when and where we saw them, with whom, and what we did afterward. The mood swings easily from sensual and poignant...

The esteemed film critic Jonathan Rosenbaum has brought global cinema to American audiences for the last four decades. His incisive writings on individual filmmakers define film culture as a diverse and ever-evolving practice, unpredictable yet subject to analyses just as diversified as his own discriminating tastes. For Rosenbaum, there is no high or low cinema, only more interesting or less interesting films, and the pieces collected here, from an appreciation of Marilyn Monroe s intelligence to a classic discussion on and with Jean-Luc Godard, amply testify to his broad intellect and...