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'In my time I have said some noteworthy and exceptionally memorable things' Nol Coward.

A delightful and revealing collection of quotations from the master wordsmith, Nol Coward. In his plays, verse, song lyrics, stories and everyday life, he chose his words to uniquely stylish and truthful effect.

This insightful portrait includes not only his best-loved witticisms, bons mots and lyrics but also excerpts from his private papers and hidden gems from unpublished material. Barry Day delves into the whole range of Coward's talents, as well as his thoughts on theatre,...

"I was photographed naked on a cushion very early in life, an insane, toothless smile slitting my face and pleats of fat overlapping me like an ill-fitting overcoat. Later, at the age of two, I was photographed again. This time in a lace dress, leaning against a garden roller and laughing hysterically. If these photographs can be found they will adorn this book."

Thus begins the life story of one of the most celebrated characters in British theatrical history, in the first of Coward's autobiographies, first published in 1937. Displaying an early dedication to the theatre, Present...

This one-volume edition contains the complete collection of Coward's twenty short stories, spanning fifty years of his working life. Written with Coward's inimitable poise and wit, the stories variously describe back-stage intrigues, Hollywood champagne breakfasts, suburban romances and gossip round the captain's table. He reveals himself as a consummate prose stylist demonstrating why, for all his success in virtually every other field of entertainment, he returned again and again to the short story.

Inthe 1920s and 1930s Noel Coward mastered and defined the art of therevue sketch - short and often topical or satirical stage pieces, manyof which were a lead-in to his famous songs. He wrote these sketchesfor the top revues of the 1920s and 1930s, including London Calling (1923) and Cochrane's Revue of 1931. This volume collects Coward's bestand most witty pieces, including Rain Before Seven, the only sketch heperformed with Gertrude Lawrence, and the hilarious parody, Some OtherPrivate Lives, in which Coward burlesques his own famous play, PrivateLives. Also...

The definitive account, in his own words, of one of the most popular figures in British theatre.

The second and concluding volume of No?l Coward's legendary autobiography includes Future Indefinite and the unfinished Past Unconditional. With his trademark wit, Coward delivers anecdotes about his travels in South America, Hollywood encounters with an array of contemporary stars and directors, and his later theatrical successes, including the Broadway triumph of Design For Living. The showbiz glamour aside, we also encounter a middle-aged man coming to terms with a...

First published in 1960, Pomp and Circumstance, Coward's only novel, was greeted with wide critical acclaim. 'A South Sea Bubble of a book it is, with a Royal Visit expected on the Island of Samolo, and the narrator, a mother of three, dealing with everything from chicken-pox to the amours of a visiting Duchess' (Daily Telegraph); 'If there is anywhere on earth where the old Coward world still credibly lingers on, it is probably a fairly peaceful tropical colony ruled over by a British Governor General . . . Coward's long cast list might have walked out of one of his better...

The third volume of Coward's plays contains some of his best work fromthe thirties.

Design for Living - is about a triangular alliancebetween two men and a woman, based on friends of Coward's, which hewaited to write "until she and he and I had arrived by different roadsin our careers at a time and a place when we felt we could all threeplay together with a more or less equal degree of success." Cavalcadewas Coward's most ambitious stage project, set during the Boer War, which cost 30,000 in its day and which includes scenes of the reliefof the sinking of the Titanic...

The Seventh volume in the Coward Collection. On Quadrille "Miss Fontanne plays the madcap Marchioness with thecrackle and sheen of a five-pound note. Her eyes mock marvelously, hervoice cuts like a knife into a wedding cake, and the scene in ActThree, on the eve of her elopement with Mr. Lung, is as delicious ascrushed ice." Evening Standard, 1952.

"The idea of Peace in Our Time,"Coward wrote "was conceived in Paris shortly after the Liberation. . .I began to suspect that the physical effect of four years intermittentbombing is far less damaging to the intrinsic...