Cultural Politics Around East Asian Cinema 1939-2018

ISBN-13: 9781920901462 / Angielski / Miękka / 2020 / 248 str.

Noriko Sudo; Takeshi Tanikawa

Spis treści

• Figures
• Tables
• Photos
• List of Contributors
• Introduction
• Noriko Sudo
• 1 Film Control in the Japan Film Law (Eiga-ho) — Atsuko KATO
• 2 “Me-istic Nationalism” in Films Promoted by the Japan Self-Defense Forces: Focus on Midnight Eagle as an Example — Noriko SUDO
• 3 Collaboration between U.S. Film Industry and U.S. Government for Film Distribution in the Republic of China — Takeshi TANIKAWA
• 4 WWII Film Production in Chongqing: The Japanese Spy — Yanli HAN
• 5 Factors in the Establishment of the Animation Industry in Postwar Japan — Tomoya KIMURA
• 6 Virtuous and Depraved: Portrayals of Women in North Korean Cinema — Benjamin JOINAU
• 7 Dual Language, Dubbed Cinema: An Enlightened Colonial Subject in Homeless Angels — Youngjae YI
• 8 Double-edged National Imagery: From The Daughter of the Samurai to My Japan — Takeshi TANIKAWA
• 9 The Mysterious Popularity of Japanese Films in Taiwan in the 1950s and ’60s — Mamie MISAWA
• Index