List of Illustrations List of Contributors Foreword J.R. Campbell, Kent State University, USA Introduction Faith Kane, Loughborough University, UK, Nithikul Nimkulrat, Estonian Academy of Art, Estonia, and Kerry Walton, Loughborough University, UK Part One: Digital Technologies Informing Craft Crafting Textiles in the Digital Age: Printed Textiles Cathy Treadaway, Cardiff Metropolitan University, UK Digital Embroidery Practice Tina Downes, Nottingham Trent University, UK, Tessa Acti, Independent Artist, UK, and Donna Rumble-Smith, Independent Artist, UK Textile Illusions – Patterns of Light and the Woven White Screen Anne Louise Bang, Kolding School of Design, Denmark, Helle Trolle, Kolding School of Design, Denmark, and Anne Mette Larsen, Independent Researcher, Denmark The Intelligence of the Hand Monika Auch, Visual Artist, The Netherlands Part Two: Craft Intervention in Digital Process The Digital Print Room – A Bespoke Approach to Print Technology Helen Ryall, University of Huddersfield, UK and Penny Macbeth, Manchester School of Art, UK Maintaining the Human Touch – Exploring ‘Crafted Control’ within an Advanced Textile Production Interface Martin Woolley, Coventry University, UK and Rob Huddleston, Birmingham City University, UK Garment ID: Textile Patterning Techniques for Hybrid Functional Clothing Kerri Akiwowo, Loughborough University, UK Processes within Digitally Printed Textile Design Susan Carden, Northumbria University, UK Part Three: Craft Thinking in a Digital Age Hand-Knitting in a Digital Era Josephine Steed, Robert Gordon University, UK Hidden Values and Human Inconsistencies in Hand-Stitching Processes Emma Shercliff, Arts University Bournemouth, UK Perspectives on Making and Viewing: Generating Meaning through Textiles Sonja Andrews, University of Manchester, UK Closely Held Secrets: Embodied Knowledge in Digitally Crafted Textiles Katherine Townsend, Nottingham Trent University, UK Index