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Theory into Practice. Composition, Performance and the Listening Experience is the second publication in the series Collected Writings of the Orpheus-Institute. The series comprises articles concerning the activities of the Orpheus Institute. The centrale theme of this book is the relationship between the reflections about and the relization of a musical composition. In his paper Words about Music, or Analysis versus Performance, Nicholas Cook states that words and music can never be aligned exactly with one another. He embarks on a quest for models of the relationship between analytical...

Desert Island Discs has run on BBC radio since 1942 and its archive is now accessible. This book is the first to assess the programme from a scholarly perspective. Chapters by musicologists, sociologists, and media scholars are complemented by personal spins by 'castaways', who reflect on talking publicly about the role of music in their lives.

This volume explores the myriad manifestations, tropes and experiences of 'power' in Southeast Asia. The contributors address the surprising absence of direct scholarly engagement with the theme of 'power' in Southeast Asia given innumerable social, political and economic transformations of the region over the last half-century.

Southeast Asia has undergone innumerable far-reaching changes and dramatic transformations over the last half-century. This book explores the concept of power in relation to these transformations, and examines its various social, cultural, religious, economic and political forms.

The book works from the ground up, portraying Southeast Asians' own perspectives, conceptualizations and experiences of power through empirically rich case studies. Exploring concepts of power in diverse settings, from the stratagems of Indonesian politicians and the aspirations of marginal Lao...

From the cylinder to the download, the practice of music has been radically transformed by the development of recording and playback technologies. This Companion provides a detailed overview of the transformation, encompassing both classical and popular music. Topics covered include the history of recording technology and the businesses built on it; the impact of recording on performance styles; studio practices, viewed from the perspectives of performer, producer and engineer; and approaches to the study of recordings. The main chapters are interspersed by 'short takes' - short contributions...

What makes people lose faith in democratic statecraft? The question seems an urgent one. In the first decades of the twenty-first century, citizens across the world have grown increasingly disillusioned with what was once a cherished ideal. Setting out an original theoretical model that explores the relations between democracy, subjectivity and sociality, and exploring its relevance to countries ranging from Kenya to Peru, The State We're In is a must-read for all political theorists, scholars of democracy, and readers concerned for the future of the democratic ideal.