Wyniki wyszukiwania:

"Sitting in an automobile was where I first remember understanding how drama works...Hidden in the back seat of a sedan, I quickly realized how deep the chasm or intense the claustrophobia could be inside your average family car." --Neil LaBute

Be it the medium for clandestine couplings, arguments, shelter, or ultimately transportation, the automobile is perhaps the most authentically American of spaces. In Autobahn, Neil LaBute's provocative new collection of one-act plays set within the confines of the front seat, the playwright employs his signature plaintive insight to...

Your Friends & Neighbors is a searing display of the war between the sexes, delivered with the kind of wit used by the great Restoration playwrights to expose the hypocrisies in male/female relationships.

Neil Labute's debut feature, in the company of men, was described by Variety as "a dark, probing, truly disturbing exploration of yuppie angst and male anxieties." In Your Friends & Neighbors, male anxiety is again on show, but in a much wider context, revealing the rabid desire of people-regardless of sex- to serve their own interests at any...

Set on September 12, 2001, The Mercy Seat continues Neil LaBute's unflinching fascination with the often-brutal realities of the war between the sexes. In a time of national tragedy, the world changes overnight. A man and a woman explore the choices now available to them in an existence different from the one they had lived just the day before. Can one be opportunistic in a time of universal selflessness?

Set on September 12, 2001, THE MERCY SEAT continues Neil LaBute's unflinching fascination with the often-brutal realities of the war between the sexes. In a time of national tragedy, the world changes overnight. A man and a woman explore the choices now available to them in an existence different from the one they had lived just the day before. Can one be opportunistic in a time of universal selflessness?

"There is no playwright on the planet these days who is writing better than Neil LaBute ... THE MERCY SEAT is ... the work of a master." --John Lahr, The New Yorker

"An...

Such is the dilemma facing Joe Smith, a run-of-the-mill white-collar businessman who survives an office shooting and is subsequently touched by what he believes to be a divine vision. His journey toward personal enlightenment--past greed and lust and the other deadly sins--is, by turns, tense, hilarious, profane, and heartbreaking.

Exploring the narrow path to spiritual fulfillment and how strewn it is with the funny, frantic failings of humankind, The Break of Noon showcases Neil LaBute at his...

This collection includes seven short plays: FUNNY, BENCH SEAT, ALL APOLOGIES, MERGE, LONG DIVISION, ROAD TRIP, and AUTOBAHN. Be it the medium for clandestine couplings, arguments, shelter, or ultimately transportation, the automobile is perhaps the most authentically American of spaces. In AUTOBAHN, Neil LaBute's provocative collection of one-act plays set within the confines of the front seat, the playwright employs his signature plaintive insight to great effect, investigating the inchoate apprehension that surrounds the steering wheel. Each of these seven brief vignettes explore the...

A startling dissection of cruelty and artistic creation from the author of In the Company of Men and Your Friends and Neighbors

In a modern version of Adam's seduction by Eve, The Shape of Things pits gentle, awkward, overweight Adam against experienced, analytical, amoral Evelyn, a graduate student in art. After a chance meeting at a museum, Evelyn and Adam embark on an intense relationship that causes shy and principled Adam to go to extraordinary lengths, including cosmetic surgery, and a betrayal of his best friend, to improve his appearance and...

Two brothers meet on the grounds of a private psychiatric facility. Drew, has been court-confined for observation and has called his older brother, Terry, to corroborate his claim of childhood sexual abuse by a young man from many summers ago. Drew's request releases barely-hidden animosities between the two: Is he using these repressed memories to save himself while smearing the name of his brother's friend? Through pain and acknowledged betrayal, the brothers come to grips with and begin to understand the legacy of abuse, both inside and outside their family home.

"In a Dark, Dark...

Cow. Slob. Pig. How many insults can you hear before you have to stand up and defend the woman you love? Tom faces just that question when he falls for Helen, a bright, funny, sexy young woman who happens to be plus sized-and then some. Forced to explain his new relationship to his shallow (although shockingly funny) friends, finally he comes to terms with his own preconceptions of the importance of conventional good looks. Neil LaBute's sharply drawn play not only critiques our slavish adherence to Hollywood ideals of beauty but boldy questions our own ability to change what we dislike...

Two brothers meet on the grounds of a private psychiatric facility. Drew, has been court-confined for observation and has called his older brother, Terry, to corroborate his claim of childhood sexual abuse by a young man from many summers ago. Drew's request releases barely-hidden animosities between the two: Is he using these repressed memories to save himself while smearing the name of his brother's friend? Through pain and acknowledged betrayal, the brothers come to grips with and begin to understand the legacy of abuse, both inside and outside their family home.

"There is no...

Your career as a writer is blossoming, your beautiful, young fiancee is waiting to get married and rush off to Cancun by your side--so what is your natural reaction? Well, if you're a man, it's probably to get nervous and start calling up old girlfriends. And so begins a single man's odyssey through four hotel rooms as he flies across the country in search of the perfect woman (that he's already broken up with). Some Girl(s) is the latest work from Neil Labute, American theater's great agent provocateur. In grand LaBute fashion, this by turns outrageously funny and deadly serious...