The Grand Chorus of Complaint: Authors and the Business Ethics of American Publishing » książka
The Grand Chorus of Complaint: Authors and the Business Ethics of American Publishing
ISBN-13: 9780199751785 / Angielski / Twarda / 2011 / 256 str.
When Lord Byron toasted Napoleon for executing a bookseller, and when American satirist Fitz-Greene Halleck picketed his New York publisher for trying to starve him, both writers were taking part in a time-honored tradition-styling publishers as unregenerate capitalists. However apocryphal, both stories speak to the longstanding feud between writers and publishers over how the book business ought to be conducted. Such grumblings were so constant throughout the nineteenth century that Horace Greeley wearily referred to them collectively as "the grand chorus of complaint."
Ranging from the Revolution to the Civil War, The Grand Chorus of Complaint explores moral propriety in American literary culture, arguing that debates over the business of authorship and publishing in the United States were simultaneously debates over the ethics and character of capitalism. Michael Everton shows that the moral discourse authors and publishers used in these debates was not intended as a distraction from debates over economics, intellectual property, or gender in American literary culture. Instead, morality was itself at issue. With case studies of the fraught publication experiences of authors including Thomas Paine, Hannah Adams, Herman Melville, Fanny Fern, and Gail Hamilton, Everton argues that in their business correspondence and fiction, in their diaries and essays, authors and publishers talked so much about ethics not to obfuscate their convictions but to clarify them in a commercial world preoccupied by the meanings and efficacy of moral beliefs. The Grand Chorus of Complaint illustrates that ethics should matter as much to book historians as much as it has come to matter-again-to literary critics and theorists. Through wide-ranging primary-source research backed by a nuanced layering of historical detail, The Grand Chorus of Complaint dissects the role of morality in the print culture of eighteenth- and nineteenth-century America, providing a valuable new perspective on formative forces in the publishing trade.When Lord Byron toasted Napoleon for executing a bookseller, and when American satirist Fitz-Greene Halleck picketed his New York publisher for trying to starve him, both writers were taking part in a time-honored tradition--calling out publishers as unregenerate capitalists. However apocryphal, both stories speak to what writer Gail Hamilton called "the conflict of the ages," the feud between and writers and publishers over the way the business of print ought to be conducted.The Grand Chorus of Complaint is a study of the terms of that feud in early America. Ranging from the Revolution to the Civil War, Michael Everton explores moral propriety in American literary culture, arguing that debates over the business of authorship and publishing in the first century of the UnitedStates were simultaneously debates over the ethics and character of capitalism. The Grand Chorus of Complaint shows that the moral discourse authors and publishers used in these debates was not intended as a distraction from the "real" issues affecting American literary culture. Instead, morality was itself at issue. Drawing on a diverse archive, Everton argues that in their business correspondence and fiction, in their diaries and essays, authors and publishers talked so much about ethics not to obfuscate their convictions but to clarify them in a commercialworld preoccupied by the meanings and efficacy of moral beliefs. This study illustrates that ethics should matter as much to literary and book historians as much as it has come to matter--again--to literary critics and theorists.
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