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The Seventh volume in the Coward Collection. On Quadrille "Miss Fontanne plays the madcap Marchioness with thecrackle and sheen of a five-pound note. Her eyes mock marvelously, hervoice cuts like a knife into a wedding cake, and the scene in ActThree, on the eve of her elopement with Mr. Lung, is as delicious ascrushed ice." Evening Standard, 1952.

"The idea of Peace in Our Time,"Coward wrote "was conceived in Paris shortly after the Liberation. . .I began to suspect that the physical effect of four years intermittentbombing is far less damaging to the intrinsic...

• Presents a definitive history of the literature of France from its origins to the present day.
  
• Incorporates coverage of Francophone writing in Europe, Canada, the West Indies and North and Sub-Saharan Africa.
  
• Links the development of literature to the mentalities and social...

An immense success in London. An imaginative and innovative presentation of Noel Coward's words, music, sketches, which also shows us something of the man himself. Cowardy Custard contains not only those classic medleys and duets, but also previously unpublished material, snippets of plays and dialogues, material from his autobiographies as background and even a few of his little known poems. The result is a kaleidoscopic glimpse of the Coward...

I am shirking off the chains that have shackled me for so long - I have suddenly come to realise that I am a woman - a living, passionate, pulsating woman - it never occurred to me before.

Janet Ebony and her best friend, Peter Chelsworth, are innocently sharing a sleeping compartment when their train to Paris is involved in a disastrous railway accident. Outrage and scandal ensue as Janet's husband, Paul, and her fearsome mother-in-law accuse Janet and Peter of adultery. Aghast at their families' accusations, Janet and Peter decide to take revenge by inventing an adulterous...

No one in the twentieth century used language with the same precision and wit as Noel Coward. In his plays, his verse, his song lyrics, stories and in everyday life, he chose his words to uniquely stylish and truthful effect.

This affectionate portrait of Coward's life includes not only his best-loved witticisms and lyrics, but also excerpts from private papers and hidden gems from unpublished material. Barry Day Delves into the whole range of Coward's talents, as well as his thoughts on a wide variety of subjects - including the theatre, England, the Arts, religion, love and death -...

Scenery: Interior

One of the Tonight at 8:30 series produced in London and New York. In psychiatrist Christian Faber's drawing room sits his weeping wife and his sad assistants, waiting for the siren Leonora. In four flashbacks the story emerges: Leonora, a girlhood chum, visited Christian's wife and was introduced to him. She set out to capture her friend's husband but was captured herself. She threw him over because of his jealousy. He jumped out of the window. Leonora has come because Christian calls for her on his death bed. She returns slowly from his...

This collection brings together three of Coward's most important screenplays - In Which We Serve (1942), Brief Encounter (1945) and The Astonished Heart (1950). The collection features the shooting scripts for each film alongside contextual notes for each play, and a general introduction, by Barry Day.

In Which We Serve earned Coward an Academy Honorary Award in 1943 as well as the New York Film Critics Circle Award for Best Film. The film remains a classic of wartime British cinema.

Brief Encounter, the most famous screenplay in...

"We've stood up - we've lain down - we've concentrated. We've sat interminably while that tiresome old woman recited extremely unflattering verses at us. We're endured five ""seances ""- we've watched her fling herself in and out of trances until we're dizzy, and at the end of it all we find ourselves exactly where we were at the beginning."

Researching for his new novel, Charles Condomine invites the implausible medium Madame Arcati to his house for a seance. Whilst consumed in a trance, Madame Arcati unwittingly summons the ghost of Charles's dead wife, Elvira. Appearing only to...

This first volume in the Coward Collection contains four plays written within a two year period when Coward and the century were still in their 20s. The volume is introduced by Sheridan Morley, Coward's first biographer.

Hay Fever, a comedy of bad manners, concerns a weekend with friends of the Bliss family, who have all been invited independently for a weekend at their country house near Maidenhead. The Vortex was a controversial drama in its time, introducing drug-addiction onto the stage at a time when alcoholism was barely mentioned. Fallen Angels, which is...

Mantra--in the form of prayers, rituals, and chants--permeate the practice of Indian religion in both temple and home settings. This book investigates the power of mantra to transform consciousness. It examines the use and theory of mantra...

The eighth volume in the Coward Collection includes I'llLeave It To You and The Young Idea, the first of Coward's plays ever tobe produced. These were, as he said, "enthusiastically acclaimed by thecritics and ran five weeks and eight weeks respectively. In both ofthem I appeared with the utmost determination."

This Was a Man, aslightly later play, was written in 1926, after the successes whichmade his name. It was originally banned by the Lord Chamberlain "forfacetious adultery."

The plays in this volume demonstrate the extraordinary skill andversatility Coward's writing achieved in the late 1920s.

The volume containshis best-loved classic, Private Lives, which was an immeditate hit whenit was first staged in 1930. Coward's sparkling dialogue and reparteehave ensured the play's popularity ever since. Of Bitter-Sweet in 1929 Noel Coward wrote that it was "a musical that gaveme more complete satisfaction than anything else I had yet written. Notespecially on acount of its dialogue or its lyrics or its music or itsproduction but as a whole." The...