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Why are so many theatre productions adaptations of one kind of another? Why do contemporary practitioners turn so frequently to non-dramatic texts for inspiration? This study explores the fascination of novels, short stories, children's books and autobiographies for theatre makers and examines what 'becomes' of literary texts when these are filtered into contemporary practice that includes physical theatre, multimedia performance, puppetry, immersive and site-specific performance and live art.

In Adaptation in Contemporary Theatre, Frances Babbage sets out a series of fresh...

In a context of financial crisis that has often produced a feeling of identity crisis for the individual, the theatre has provided a unifying forum, treating spectators as citizens. This book critically deals with representative plays and playwrights who have stood out in the UK and internationally in the post-recession era, delivering theatre that in the process of being truthful to the contemporary experience has also redefined theatrical form and content.

Built around a series of case-studies of seminal contemporary plays exploring issues of social and political crisis, the...

The Initiation of History: Fiery Temporalities in Theatre and Peformance considers the three categories of time that can be thought to occur specifically in theatre and performance: inceptions, births, or initiations of human history. Each of these temporalities works against what are often thought to be theatre's prevailing temporal mechanisms.

Maurya Wickstrom grounds her analysis in the theories of three leading philosphers: Alain Badiou, Giorgio Agamben, and Antonio Negri. She considers the ways in which theatre and performance responds to the questions of the new...

This is the first book to focus specifically on the late all-round German artist Christoph Schlingensief's theatre work, which subversively merges art, politics and everyday life to imbue his productions both inside and outside the theatre with a re-energized concept of the political in art. The book proposes the pluralistic concept of the phantasmagoria as a means to decoding Schlingensief's unique theatrical vision and examines how it achieves its political radicality, yet retains a critical ambivalence in regard to an explicitly political intention.

Scheer traces Schlingensief's...