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Rethinking Identities Across Boundaries: Genders/Genres/Genera

ISBN-13: 9783031407949 / Angielski

Claudia Capancioni; Mariaconcetta Costantini; Mara Mattoscio
Rethinking Identities Across Boundaries: Genders/Genres/Genera Claudia Capancioni Mariaconcetta Costantini Mara Mattoscio 9783031407949 Palgrave MacMillan - książkaWidoczna okładka, to zdjęcie poglądowe, a rzeczywista szata graficzna może różnić się od prezentowanej.

Rethinking Identities Across Boundaries: Genders/Genres/Genera

ISBN-13: 9783031407949 / Angielski

Claudia Capancioni; Mariaconcetta Costantini; Mara Mattoscio
cena 562,23
(netto: 535,46 VAT:  5%)

Najniższa cena z 30 dni: 501,19
Termin realizacji zamówienia:
ok. 22 dni roboczych
Dostawa w 2026 r.

Darmowa dostawa!
Kategorie:
Nauka, Socjologia i społeczeństwo
Kategorie BISAC:
Social Science > Socjologia
Social Science > Gender Studies
Social Science > Media Studies
Wydawca:
Palgrave MacMillan
Język:
Angielski
ISBN-13:
9783031407949

1 Bordering Genders, Genres, Genera: An Introduction

Claudia Capancioni, Mariaconcetta Costantini, and Mara Mattoscio

 

2 Biometric Technologies, Gendered Subjectivities, and Artistic Resistance

C.L. Quinan

 

3 ‘My tongue doesn’t believe in boundaries’: A®tivism Across the US/Mexico Border

Lorena Carbonara and Dora Renna

 

4 Migrant Women’s Documentary Filmmaking: Shifting Positionalities and Precarious Creativity in the Experience of Five Latin American Directors

Dalila Missero

 

5 ‘I’ve always thought that we are living on the cowhide’: Chen Li’s Edge as Method and Border-Queering in The Edge of the Island

Li-hsin Hsu

 

6 Crossing the Borders of Genders and Genres: Akwaeke Emezi’s Freshwater as a World-Making Narrative of Identity Reaffirmation

Alessandra Di Pietro

 

7 Mobility, Belonging and the Utopia of a Borderless World: A Spatial and Identitarian Reading of Imbolo Mbue’s Behold the Dreamers

Mariaconcetta Costantini

 

8 ‘Violent Conclusions’ versus ‘Hopeful Returns’: Zadie Smith’s The Embassy of Cambodia and the Performative Border-Crossing of the Narrative Voice

Mara Mattoscio

 

9 Morphing Forms: Metamorphosis in Twenty-First Century British Women’s Experimental Short Fiction

Helen Cousins

 

10 ‘This particular art [is] all about walls’: Nomadic Poetics of Identity in Ali Smith’s How to be both

Claudia Capancioni

 

11 Oblique Emotions and Border Intimacies in Dionne Brand’s Theory

Libe García Zarranz

 

12 An Unresolved Crossing: David Foster Wallace’s ‘Oblivion’

Adriano Ardovino and Pia Masiero

 

13 Crossing Gender: Andy Warhol’s Candy Darling, America and Angela Carter’s The Passion of New Eve

Marie Mulvey-Roberts

 

14 Genders, GYnealogies, GYne(co)alogies of Decolonial Geo-thalasso-corpographies: A Theoretical Reflection on Interconnectedness in Gender Configurations

Paola Zaccaria

 

15 Spivak and Sontag: Deconstructing Borders Through a Philosophical Appraisal of Literature

Chiara Scarlato

Claudia Capancioni is Reader in English Literature at Bishop Grosseteste University, UK. She specialises in Victorian and contemporary women writers, life and travel writing, and gender studies.

Mariaconcetta Costantini is Full Professor of English Literature at G. d’Annunzio University of Chieti-Pescara, Italy. She specialises in Victorian and contemporary literature, especially in popular fiction, women writers, and the Gothic.

Mara Mattoscio teaches English Literature and Culture at the University of Macerata, Italy. She specialises in Anglophone postcolonial literature and film, race and gender studies, and critical theory.

 This collection of essays aims to widen the current critique on borders by examining their entanglements with constructions of identity and disciplinary categories. In particular, it calls into question established models of gender, notions of narrative genres and typological genera of borders in today’s literary, artistic, philosophical, and socio-political discourse. The chapters interrogate boundaries and boundary-crossing not only in terms of geographical frontiers and the physical acts of trespassing, but also as discursive constructs that police crossing subjects as gendered subjects, on the one hand, and identify artistic genres and academic disciplines as fixed, sealed-in ways of understanding the world, on the other. Taking inspiration from the multiple meanings of the Italian word genere (which stands for “gender”, “genre”, and “typology”/“genus” simultaneously), the volume reflects on the gendered, narrative, and typological nature of borders and border imagery, and on the significance and potentialities of crossover phenomena taking place in borderlands, in the fields of arts, literature, anthropology, sociology and philosophy.

Claudia Capancioni is Reader in English Literature at Bishop Grosseteste University, UK. She specialises in Victorian and contemporary women writers, life and travel writing, and gender studies.

Mariaconcetta Costantini is Full Professor of English Literature at G. d’Annunzio University of Chieti-Pescara, Italy. She specialises in Victorian and contemporary literature, especially in popular fiction, women writers, and the Gothic.

Mara Mattoscio teaches English Literature and Culture at the University of Macerata, Italy. She specialises in Anglophone postcolonial literature and film, race and gender studies, and critical theory.



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