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What does it mean to render the processes of making art--cutting, pasting, and projecting light--as a series of metaphors for how we think and how we live? And why would an artist embark on such an enterprise? This book considers how renowned artist William Kentridge spins the material operations of the studio into a web of politically astute and historically grounded metaphors, likening erasure to forgetting, comparing animation to the flux of history, and marshaling drawing as a form of nonlinear argument. Placing Kentridge's visual vocabulary and unorthodox methods of production in the...

The Peace achieved at the end of World War II quickly gave way to a tense standoff between the democratic west and the communist east. This anthology covers an era of international intrigue and domestic turmoil as America faced not only a nuclear arms race with the Soviet Union, but war in Southeast Asia and race riots at home.