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In 1913, Toronto launched an experiment in feminist ideals: a woman's police court. The court offered a separate venue to hear cases that involved women and became a forum where criminalized women and feminists met and struggled with the meaning of justice.

The court was run by and for women, but was it a great achievement? Amanda Glasbeek's multifaceted portrait of the cases, defendants, and officials that graced its halls reveals a fundamental contradiction at the experiment's core: the Toronto Women's Police Court was both a site for feminist adaptations of justice and a court...

In 1913, Toronto launched an experiment in feminist ideals: a woman's police court. The court offered a separate venue to hear cases that involved women and became a forum where criminalized women and feminists met and struggled with the meaning of justice.

The court was run by and for women, but was it a great achievement? Amanda Glasbeek's multifaceted portrait of the cases, defendants, and officials that graced its halls reveals a fundamental contradiction at the experiment's core: the Toronto Women's Police Court was both a site for feminist adaptations of justice and a court...

What is a crime and how do we construct it? The answers to these questions are complex and entangled in a web of power relations that require us to think differently about processes of criminalization and regulation. This book draws on Foucault's concept of governmentality as a lens to analyze and critique how crime is understood, reproduced, and challenged. It explores the dynamic interplay between practices of representation, processes of criminalization, and the ways that these circulate to both reflect and constitute crime and "justice."