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This is one man's journey to discover the truth about the Bible. Terry Read grew up in a Christian household and went to church. But Terry did not live in a bubble. Terry watched documentaries, read magazines, read encyclopedias, and went to public school. Terry knew that what he was learning about "science" from all of these other sources did not mesh with the Bible. Terry tried to make the two world views fit together somehow.

But Terry discovered another option that he had never been taught--that a person could believe the Bible as it reads. The Bible does not contradict good...

This title, first published in 1939, is an anthology that s aim was to present the English ideal in its various aspects as expressed by representative Englishmen. This book will be of interest to students of literature and to the general reader."

Alan Read asserts that there is no split between the practice and theory of theatre, but a divide between the written and the unwritten. In this revealing book, he sets out to retrieve the theatre of spontaneity and tactics, which grows out of the experience of everyday life. It is a theatre which defines itself in terms of people and places rather than the idealised empty space of avant garde performance.

Read examines the relationship between an ethics of performance, a politics of place and a poetics of the urban environment. His book is a persuasive demand for a critical theory...

Although interest in the painter, poet, and art writer Adrian Stokes (1902-1972) has been growing in recent years, Art and Its Discontents is the first biographical study of this pivotal figure in British modernism. Focused on Stokes's formative years, the book offers important new insights into his intellectual development, his growing commitment to the arts, and his eventual turn to the art criticism that would win him international renown.

Even as Richard Read follows Stokes from his London childhood to his travels in Italy and his psychoanalysis with Melanie Klein, he...

Theatre in the Expanded Field is a fiercely original, bold and daring exploration of the fields of theatre and performance studies and the received narratives and histories that underpin them. Rich with interdisciplinary reference, international, eclectic and broad-ranging in its examples, it offers readers a compelling and provocative reassessment of the disciplines, one that spans pre-history to the present day.

Sixty years ago, in 1962, Richard Southern wrote a remarkable book called The Seven Ages of the Theatre. It was unusual in its time for taking a...