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In 1925, Beatrice Blackwood of the University of Oxford's Pitt Rivers Museum took thirty-three photographs of Kainai people on the Blood Indian Reserve in Alberta as part of an anthropological project. In 2001, staff from the museum took copies of these photographs back to the Kainai and worked with community members to try to gain a better understanding of Kainai perspectives on the images. 'Pictures Bring Us Messages' is about that process, about why museum professionals and archivists must work with such communities, and about some of the considerations that need to be addressed...

When you love someone, you stand by them no matter what happens.

In good times . . .
When you're excited, the world joins with you,
You bounce all about--look, I'm bouncing, too

In bad times . . .
When you are sad and troubled with fears,
I hold you close and dry all your tears.

And all the times in between.
When you are high and when you are low,
I'll be holding your hand . . . and I'll never let go.

Share this beautiful celebration of unconditional love with someone special in your life.

When the Franklin Motor Expedition set out across the Canadian Prairies to gather First Nations artifacts, it was with the assumption that they were collecting mementos of dying cultures. As brutal assimilation policies threatened to decimate First Nations cultures across Canada, an extensive program of ethnographic salvage was in place. Despite having only three members, the expedition amassed hundreds of items, which now comprise the largest single collection of materials from Prairie First Nations held in a British museum.

In the past two decades, the relationship between Canadian...

This volume combines some of the most influential published research in this emerging field with newly commissioned essays on the issues, problems and lessons involved in collaborating museums and source communities.

Focusing on museums in the UK, North America and the Pacific, the book highlights three areas which demonstrate the new developments most clearly:

• the museum as field site or 'contact zone' - a place which source community members enter for purposes of consultation and collaboration
• visual repatriation - the use of photography to return images of...

When the Franklin Motor Expedition set out across the Canadian Prairies to gather First Nations artifacts, it was with the assumption that they were collecting mementos of dying cultures. As brutal assimilation policies threatened to decimate First Nations cultures across Canada, an extensive program of ethnographic salvage was in place. Despite having only three members, the expedition amassed hundreds of items, which now comprise the largest single collection of materials from Prairie First Nations held in a British museum.

In the past two decades, the relationship between Canadian...