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Religious imagery was ubiquitous in late-nineteenth-century American life: department stores, schoolbooks, postcards, and popular magazines all featured elements of Christian visual culture. Such imagery was not limited to commercial and religious artifacts, however, for it also found its way into contemporary fine art. In Signs of Grace, Kristin Schwain looks anew at the explicitly religious work of four prominent artists in this period Thomas Eakins, F. Holland Day, Abbott Handerson Thayer, and Henry Ossawa Tanner and argues that art and religion performed analogous functions within...