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For the last fifty years or so the standard critical view of Sir Walter Scott's fiction has been that, while paying full tribute to Scotland's heroic, ancient independence and romantic Jacobite past, his Scottish Waverley Novels ultimately present Scotland's future as nonetheless belonging within the peace, prosperity and progress of the United Kingdom and the British Empire. Julian Meldon D'Arcy's Subversive Scott radically revises this conventional evaluation of Scott's work and reveals that embedded in the Waverley Novels narratives are dissonant discourses and discreet subtexts which...