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"How have we come to this place, this cold, hard, killing ground? How have we come to this fourth world, a world of violence, darkness, greed, lack of compassion for human life, punctuated with brief flashes of light and hope?" Painter Mateo Romero uses a bold, muscular style and thick, expressive paint to expose the fault lines and tragedies afflicting Native people today. At the same time, he offers a meditation on the difficult yet artistically stimulating process of cultural diaspora and return in which he and many other Native artists are engaged. The fifty paintings reproduced here...

"How have we come to this place, this cold, hard, killing ground? How have we come to this fourth world, a world of violence, darkness, greed, lack of compassion for human life, punctuated with brief flashes of light and hope?" Painter Mateo Romero uses a bold, muscular style and thick, expressive paint to expose the fault lines and tragedies afflicting Native people today. At the same time, he offers a meditation on the difficult yet artistically stimulating process of cultural diaspora and return in which he and many other Native artists are engaged. The fifty paintings reproduced here...

With such words, Kiowa and Comanche people express their deep connection to their traditional lattice cradles. Prevalent from 1870 to 1930, these cradles represented a unique, yet extremely practical, art form. These "gifts of pride and love" reflected close networks, which remained intact despite the difficult transition to reservation life, new religions, government boarding schools, and allotment of tribal lands.

This book, a beautiful homage to the artisans who crafted cradleboards, includes a history of the origins of lattice cradles as well as essays by eleven descendants of...