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In the first book to take D. H. Lawrence's Last Poems as its starting point, Bethan Jones adopts a broadly intertextual approach to explore key aspects of Lawrence's late style. The evolution and meaning of the poems are considered in relation to Lawrence's prose works of this period, including Sketches of Etruscan Places, Lady Chatterley's Lover, and Apocalypse. More broadly, Jones shows that Lawrence's late works are products of a complex process of textual assimilation, as she uncovers the importance of Lawrence's reading in mythology, cosmology, primitivism, mysticism, astronomy, and...

In the first book to take D. H. Lawrence's Last Poems as its starting point, Bethan Jones adopts a broadly intertextual approach to explore key aspects of Lawrence's late style. The evolution and meaning of the poems are considered in relation to Lawrence's prose works of this period, including Sketches of Etruscan Places, Lady Chatterley's Lover, and Apocalypse. More broadly, Jones shows that Lawrence's late works are products of a complex process of textual assimilation, as she uncovers the importance of Lawrence's reading in mythology, cosmology, primitivism, mysticism, astronomy, and...

D. H. Lawrence's best-known late fictions are presented in this volume, which is dominated by two powerful novellas, The Virgin and the Gipsy and The Escaped Cock (also known as The Man Who Died). In the first, a young woman from a restrictive English rectory discovers further dimensions to life through her contact with a gipsy; in the second, an unnamed man - in fact Lawrence's vision of Christ - is resurrected and escapes from his tomb. Both novellas deal with the themes of escape and sexual awakening, which are echoed in the four short stories and three fragments also collected here. This...