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The Shakespearean image of a tempest and its aftermath forms the beginning as well as a major guiding thread of Logic of Imagination. Moving beyond the horizons of his earlier work, Force of Imagination, John Sallis sets out to unsettle the traditional conception of logic, to mark its limits, and, beyond these limits, to launch another, exorbitant logic--a logic of imagination. Drawing on a vast range of sources, including Plato, Aristotle, Kant, Hegel, Nietzsche, and Freud, as well as developments in modern logic and modern mathematics, Sallis shows how a logic of imagination can disclose...

..". offers both an excellent entry into Sallis's] thought and a strong example of where the tasks of philosophy may yet be found at the closure of metaphysics." --American Catholic Philosophical Quarterly

Since Hegel, philosophers have declared repeatedly that metaphysics is at an end. What exactly does the end, or closure, of metaphysics mean, and what are the implications of this view? In his second edition, John Sallis has expanded this major work, contributing to current debates in continental philosophy.

Broaching an understanding of nature in Platonic thought, John Sallis goes beyond modern conceptions and provides a strategy to have recourse to the profound sense of nature operative in ancient Greek philosophy. In a rigorous and textually based account, Sallis traces the complex development of the Greek concept of nature. Beginning with the mythical vision embodied in the figure of the goddess Artemis, he reanimates the sense of nature that informs the fragmentary discourses of Anaximenes, Heraclitus, Parmenides, and Empedocles and shows how Plato takes up pre-Socratic conceptions...

"Transfigurements" develops a framework for thinking about art through innovative readings of some of the most important philosophical writing on the subject by Kant, Hegel, and Heidegger. Sallis exposes new layers in their texts and theories while also marking their limits. By doing so, his aim is to show that philosophy needs to attend to art directly. Consequently, Sallis also addresses a wide range of works of art, including paintings by Raphael, Monet, and Klee; Shakespeare s comedies; and the music of Beethoven, Schubert, Mahler, and Tan Dun. Through these interpretations, he puts...

"Everyone complains about what is lost in translations. This is the first account I have seen of the potentially positive impact of translation, that it represents... a genuinely new contribution." --Drew A. Hyland

In his original philosophical exploration of translation, John Sallis shows that translating is much more than a matter of transposing one language into another. At the very heart of language, translation is operative throughout human thought and experience. Sallis approaches translation from four directions: from the dream of nontranslation, or universal translatability;...

Broaching an understanding of nature in Platonic thought, John Sallis goes beyond modern conceptions and provides a strategy to have recourse to the profound sense of nature operative in ancient Greek philosophy. In a rigorous and textually based account, Sallis traces the complex development of the Greek concept of nature. Beginning with the mythical vision embodied in the figure of the goddess Artemis, he reanimates the sense of nature that informs the fragmentary discourses of Anaximenes, Heraclitus, Parmenides, and Empedocles and shows how Plato takes up pre-Socratic conceptions...

Transfigurements develops a framework for thinking about art through innovative readings of some of the most important philosophical writing on the subject by Kant, Hegel, and Heidegger. Sallis exposes new layers in their texts and theories while also marking their limits. By doing so, his aim is to show that philosophy needs to attend to art directly. Consequently, Sallis also addresses a wide range of works of art, including paintings by Raphael, Monet, and Klee; Shakespeare's comedies; and the music of Beethoven, Schubert, Mahler, and Tan Dun. Through these interpretations, he...

"Philosophers have become increasingly concerned with the places and spaces of our Earth. They are finally coming to acknowledge their situatedness, and to be grateful for it. Sallis s wonderful book evokes in word and image the power of places that bring him and now us to think, feel, imagine, and write." David Farrell Krell, DePaul University

How does it feel to get caught in a violent storm in the high Alps? What does a visitor think while ascending the sacred way in Delphi? How does a rock garden in Kyoto challenge one s sense of self? What comes out of a face-to-face encounter...

"Stunning insights into Renaissance aesthetic theory... a rigorous and critical assessment of key moments in the Western aesthetic tradition, speaks beyond the audience of philosophers and literary critics..." --Renaissance Quarterly

"Stone challenges the simple opposition of philosophy and art... in a style that has the directness of sculpture." --John Llewelyn

In an elegant and provocative text enhanced by photographs, John Sallis offers an important new theory of philosophy and art. He takes up the various guises and settings in which stone appears and what philosophers have...