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This book demonstrates the pervading influence of visual art in the composition, production and reception of Renaissance English drama.

Several famous playwrights of the Elizabethan and Stuart periods, including Shakespeare, wrote for open-air public theaters and also for the private, indoor theaters at the palaces at which the Court resided. The author draws as full a picture as he can of the royal theaters used at courts, the physical and aesthetic conditions under which actors worked in them, and the composition and conduct of court audiences. The book includes an appendix that lists all known court performances of plays and masques between 1558 and 1642.

Several famous playwrights of the Elizabethan and Stuart periods, including Shakespeare, wrote for open-air public theaters and also for the private, indoor theaters at the palaces at which the Court resided. The author draws as full a picture as he can of the royal theaters used at courts, the physical and aesthetic conditions under which actors worked in them, and the composition and conduct of court audiences. The book includes an appendix that lists all known court performances of plays and masques between 1558 and 1642.

John Astington brings the acting style of the Shakespearean period to life, describing and analyzing the art of the player in the English professional theater between Richard Tarlton and Thomas Betterton. The book pays close attention to the cultural context of stage playing, the critical language used about it, and the kinds of training and professional practice employed in the theater at various times over the course of roughly one hundred years - 1558-1660. Perfect for courses, this up-to-date survey takes into account recent discoveries about actors and their social networks, about...

John Astington brings the acting style of the Shakespearean period to life, describing and analyzing the art of the player in the English professional theater between Richard Tarlton and Thomas Betterton. The book pays close attention to the cultural context of stage playing, the critical language used about it, and the kinds of training and professional practice employed in the theater at various times over the course of roughly one hundred years 1558 1660. Perfect for courses, this up-to-date survey takes into account recent discoveries about actors and their social networks, about...