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Fifty furry, scaly and feathered friends are here for aspiring young artists to learn how to draw, including a lion, a giraffe, a dinosaur, a penguin, a bunny, a shark, and much more. It's easy to bring these animals to life the Draw 50 way.

Over the past thirty years, celebrated author Lee J. Ames' distinctive drawing method has proven successful for those wishing to draw anything from animals...

Have you been searching for a story that combines elements of the supernatural with a family mystery? If you have, then Gossamer Ties is the book for you. Set in the summer of 1967, the tale opens with fourteen-year-old Marie visiting her cousins' farm in central Missouri. On the first day there she sees an apparition. From this experience she embarks on a journey to fulfill the ghost's puzzling request. The more she searches for answers the deeper into her family's history she falls. Her efforts finally reveal a secret held for three generations.

Gossamer Ties blends Scottish folklore,...

This collection analyzes twenty-first-century American television programs that employ temporal and narrative experimentation. These shows play with time, slowing it down to unfold narrative through time retardation and compression. They disrupt the chronological flow of time itself, using flashbacks and insisting that viewers be able to situate themselves in both the present and the past narrative threads. Although temporal play has existed on the small screen prior to the new millennium, never before has narrative time been so freely adapted in mainstream television. The essayists offer...

Over the course of his career, legendary director Werner Herzog (b. 1942) has made almost sixty films and given more than eight hundred interviews. This collection features the best of these, focusing on all the major films, from Signs of Life and Aguirre, the Wrath of God to Grizzly Man and Cave of Forgotten Dreams. When did Herzog decide to become a filmmaker? Who are his key influences? Where does he find his peculiar themes and characters? What role does music play in his films? How does he see himself in relation to the German past and in relation to film...