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Isabelle de Charrière (Belle van Zuylen) has been known primarily as a novelist who experimented with narrative techniques to express her concern about the oppression of women in her society. Most scholarship has focused on only a small part of her work, her pre-revolutionary novels. This is one of the first synthetic studies of Charrière's entire œuvre, and it turns its attention to Charrière's overlooked contribution as an intellectual in the eighteenth-century debate over education. In addition, Letzter analyzes the rhetorical and discursive strategies Charrière employed to...

In the age of the French Revolution, opera was the locus of cabals, intrigues, and violent journalistic invective. Yet it was also a period when women composers and librettists gained access to concert halls as never before, some of their works among those most performed in Paris. Jacqueline Letzter and Robert Adelson's engaging history explains what made this possible. At the same time it demonstrates how the Revolution fostered many dreams and ambitions for women that would be doomed to disappointment in the repressive post-Revolutionary era.
The first part of the book concentrates on...