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Clues to T.C. Lethbridge's books lie in their subtitles. Witches: Investigating an Ancient Religion is no exception. In his study of the old pagan gods of Britain, Lethbridge believed that witch cults had their roots in prehistory and eventually became a religion of the suppressed classes.Similarities between eastern and ancient western religions provided him with evidence of ancient collusion. He believed Britain's island status acted as a filter for external inflences and ideas. No belief on the continent ever arrived intact which made the study of British customs so...

British estates were known to be the epitome of cleanliness with their white-glove perfection. Through her meticulous research on servants, Lucy Lethbridge gleaned much knowledge about how these homes were made to gleam over almost two centuries, from the Victorian through the Edwardian years and beyond. The majority of household tasks were done with basic ingredients like lemon juice, white vinegar, and bicarbonate of soda, which feel very modern in their display of frugality and ecological soundness. Tea leaves were used to freshen up rugs and stewed rhubarb to remove rust stains. Here,...

Clues to T.C. Lethbridge's books lie in their subtitles. Witches: Investigating an Ancient Religion is no exception. In his study of the old pagan gods of Britain, Lethbridge believed that witch cults had their roots in prehistory and eventually became a religion of the suppressed classes.Similarities between eastern and ancient western religions provided him with evidence of ancient collusion. He believed Britain's island status acted as a filter for external inflences and ideas. No belief on the continent ever arrived intact which made the study of British customs so...

This study presents a contextual and intertextual reading of James Thomson's (1700--1748) poem The Seasons, taking into consideration some of the presuppositions and habitus of the text's cultural community and the function of the poem's many intertextual allusions. Contemporary assumptions about processes of perception, reading and the practice of virtue call for an approach to the poem that takes literary pre-texts into account. An intertextual reading reveals The Seasons, though heterogeneous on its surface, as coherent in its cultural functionality: It aims to train readers into...