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The Image is a collection of twenty-two entertaining stories that range in time from the old days in Warsaw to recent years in America. The title story is haunted by a unique love that falls like a shadow between a newly married couple.

»In der Literatur sind alte Menschen und ihre Gefühle vernachlässigt worden. Die Romanschriftsteller haben uns niemals gesagt, dass in der Liebe, wie auf anderen Gebieten, die Jungen erst Anfänger sind und dass die Kunst des Liebens mit dem Alter und mit der Erfahrung reift«. Isaac Bashevis Singer

Von dieser Kunst des Liebens weiß keiner so lebendig zu erzählen wie Isaac Bashevis Singer. In seinen achtzehn Geschichten über Lust, Leidenschaft und Eifersucht zeigt er, dass Liebe kein Alter kennt.

A fictional exploration of primitive history, Singer's novel portrays an age of superstition and violence in a country emerging from the darkness of savagery. Part parable of modern civilization, part fascinating historical novel, it reaffrims the author's reputation as a master storyteller.

The Manor and The Estate combined in this one-volume edition bold tales of Polish Jews in the latter half of the nineteenth century, a time of rapid industrial growth and radical social change that enabled the Jewish community to move from the ghetto to prominent positions within Polish society.

"A piercing work of fiction with a strong claim to being Singer's masterpiece" (Richard Bernstein, The New York Times), Shadows on the Hudson traces the intertwined lives of a group of Jewish refugees in New York City in the late 1940s. At its center is Boris Makaver, a pious, wealthy businessman whose greatest trial is his unstable daughter, Anna. A chain of events disrupts the lives of the close-knit community as each refugee struggles to reconcile the horrific past with the difficult present, as Singer explores both the nature of faith and the nature of love in the aftermath of the...

Like Isaac Bashevis Singer's fiction, this poignant memoir of his childhood in the household and rabbinical court of his father is full of spirits and demons, washerwomen and rabbis, beggars and rich men. This rememberance of Singer's pious father, his rational yet adoring mother, and the never-ending parade of humanity that marched through their home is a portrait of a magnificent writer's childhood self and of the world, now gone, that formed him.