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"The One-Handed Pianist "was published to acclaim in the early 1990 s, with the two-part Spanish edition winning the Latino Literature Prize in 1989 and the Gamma Literature Prize in 1992. Its tales look at what it means to be Jewish in the Hispanic world a world in which spirituality is often exercised outside the realm of orthodoxy.

Stavans constructs fables that raise questions about ethnicity and community; even Stavans person raises questions about ethnicity and community: what does it mean that a Jew of Eastern European lineage can call himself Latino and speak for that group?"

Presented in an engaging, conversational format and touched with striking artwork, the textured dialogue between Stavans and Drache is meant to show how the Bible is a multidimensional text and one that, when considered over the course of history, still has the power to shape our world. The theme of love provides the connective...

During a century of extraordinary change, poets became the chroniclers of deep polarizations. From Ruben Dario's quest to renew the Spanish language to Cesar Vallejo's linking of religion and politics, from Jorge Luis Borges's cosmopolitanism to Pablo Neruda's placement of poetry as uncompromising speaker for the downtrodden, and from Alejandra Pizarnik's agonies of the self to Humberto Ak'abal's examination of all things indigenous, it is through verse that the hemisphere's cantankerous collective soul in an age of overhaul might best be understood.

A brilliant, moving, and...

The border between the United States and Mexico, despite attempts at containment, remains a vast and uniquely malleable yet indefinable region. With "Border Culture," Ilan Stavans has collected essays representative of the tangled experiences and issues central to life between cultures.

Divided into two sections, "Border Culture" covers topics essential to better understanding this often misunderstood region and state-of-mind. The first section, "Considerations," culls essays covering socio-economic and political topics illustrating the hyper reality of life and living on "La Frontera."...

Ilan Stavans's vast and subtle knowledge deftly emerges in this engrossing collection of essays. Fascinated by the idea of Western civilization as a sequence of innumerable misinterpretations and misrepresentations, Stavans covers in these nineteen pieces a broad range of personal and philosophical topics with the unifying theme being the crossroads where politics and the imagination meet. His engaging and provocative topics include the shaping of Latin America's collective identity, Peru's modern history as a bloody battle between Enlightenment and darkness, critiques of Octavio Paz and...

Drama Excess Men in bee suits Often erroneously compared to soap operas of the United States, outside of the necessary and sometimes fantastical dramatic story arc, however, the "telenovela" differs greatly from U.S. soap operas and have regional and cultural distinctions throughout Latin America. In "Telenovelas," Ilan Stavans has gathered over two-dozen essays covering the "telenovela" for readers to better understand the phenomenon and its myriad layers.

Branching off from "radionovelas," the "telenovela" was exported from pre-Castro Cuba during the 1950s. The essays found in...

With the release of the census figures in 2000, Latino America wasanointed the future driving force of American culture. The emergence of Spanglish as a form of communication is one of the more influential markers of an America gone Latino. Spanish, present on this continent since the fifteenth century, when Iberian explorers sought to colonize territories in what are now Florida, New Mexico, Texas, and California, has become ubiquitous in the last few decades. The nation's unofficial second language, it is highly visible on several 24-hour TV networks and on more than 200 radio stations...