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This book explores, and interacts with, the wide range of feminist christologies that we see across the globe. The feminist critique of religion and theology has yielded many outcomes in relation to the person of Jesus who moves from being the once and for all saviour of the world to lover, friend, ground of being or shaman amongst other things. The book considers whether there will be a place for christology in future feminist engagement with theology.

This title considers various issues regarding celibacy and Christianity including the following: how the female body is used to underpin exploitative social systems, how Christianity has tried to control the bodies of women through regulations about the female body, how women have used celibacy to subvert the social order, how radical incarnationalism and queer theory create new challenges to traditional understandings of celibacy, how being erotic and celibate may manifest in social, sexual and political ways. It also explores how being erotically celibate challenges patriarchal society...

Because Isherwood destroyed his diaries from these years, these letters--published for the first time and edited and introduced by Lisa...

Lions and Shadows blends autobiography and fiction to describe the true education of a writer evolving from precocious schoolboy to dropoutatlarge in London's bohemia of the 1920s. Forced to withdraw from Cambridge University, "Christopher Isherwood" works as a tutor to the privileged, serves as the secretary to a busy string quartet, ill-fatedly attends medical school. Licensed by names he invents, he works up extravagant portraits of his brilliant contemporaries W. H. Auden, Edward Upward, and Stephen Spender, whose intimate friendships and cult of rebellion changed the literary...

Candid and revealing, the final volume of Christopher Isherwood's diaries brings together his thoughts on life, love, and death. Beginning in the period of his life when he wrote Kathleen and Frank, his first intensely personal book, Liberation: Diaries 1970-1983 intimately and wittily records Isherwood's immersion in the 1970s art scene in Los Angeles, New York, and London--a world peopled by the likes of Robert Rauschenberg, Ed Ruscha, Andy Warhol, and David Hockney, as well as his Broadway writing career, which brought him in touch with John Huston, Merchant and Ivory,...