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This book examines two dance theatre productions created for international touring: Mika HAKA (NZ); The Sound of Silence (India). The companies, Torotoro & Samudra, make dance from their hereditary martial arts - expressive disciplines involving practitioners in displays of prowess that are always spectacles contiguous with dance. The productions examined also use movement practices in global circulation, & are often presented before predominantly white audiences. They are generically unstable works - the product of cultural interactions in which contradictory agendas converge. The...