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The painters of Sicyon were rulers in their artistic creation that allowed them to combine their natural talent for painting with a scientific method. The main objective of this book is to place Sicyon at the centre of an aesthetic conflict between Plato and Aristotle. The Sicyonian school of painting has always been identified as one of the main enemies of Plato for various reasons, in particular for the use of scientific disciplines that for Plato should be reserved for the study of philosophy or dialectics. By contrast, Aristotle shared many of the aesthetic ideals of the school of Sicyon:...