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Among Dostoevsky's later novels, The Adolescent occupies a very special place: published three years after The Devils and five years before his final masterpiece, The Karamazov Brothers, the novel charts the story of nineteen-year-old Arkady the illegitimate son of the landowner Versilov and the maid Sofia Andreyevna as he struggles to find his place in society and become a Rothschild against the background of 1870s Russia, a nation still tethered to its old systems and values but shaken up by the new ideological currents of socialism and nihilism.

Both a Bildungsroman and a novel of...

Constantly rebuffed from the social circles he aspires to frequent, the timid clerk Golyadkin is confronted by the sudden appearance of his double, a more brazen, confident and socially successful version of himself, who abuses and victimizes the original. As he is increasingly persecuted, Golyadkin finds his social, romantic and professional life unravelling, in a spiral that leads to a catastrophic denouement.

The Double, Dostoevsky's second published work of fiction, which foreshadows in its themes many of his mature novels, is the surreal and hallucinatory tale of an unfortunate...

Raskolnikov, an impoverished student living in the St. Petersburg of the tsars, is determined to overreach his humanity and assert his untrammeled individual will. When he commits an act of murder and theft, he sets into motion a story that, for its excruciating suspense, its atmospheric vividness, and its depth of characterization and vision is almost unequaled in the literatures of the world. The best known of Dostoevsky s masterpieces, Crime and Punishment can bear any amount of rereading without losing a drop of its power over our imaginations.
Dostoevsky s drama of sin,...

Dostoevsky's disturbing and groundbreaking novella appears in this new annotated edition with an Introduction by Charles Guignon and Kevin Aho. An analogue of Guignon's widely praised Introduction to his 1993 edition of "The Grand Inquisitor," the editors' Introduction places the underground man in the context of European modernity, analyzes his inner dynamics in the light of the history of Russian cultural and intellectual life, and suggests compelling reasons for our own strange affinity for this nameless man who boldly declares, "I was rude and took pleasure in being so. "