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• Features a generous selection of work by all the major figures of the age, including Matthew Arnold, Elizabeth Barrett Browning, Robert Browning, Alfred Tennyson, and Oscar Wilde
• Presents several long poems in their entirety, such as Arnold's 'Empedocles on Etna', Clough's Amours de Voyage, Meredith's Modern Love and Tennyson's In Memoriam AHH
• Each poet is introduced by a biographical headnote
• Each poem is...

• Features a generous selection of work by all the major figures of the age, including Matthew Arnold, Elizabeth Barrett Browning, Robert Browning, Alfred Tennyson, and Oscar Wilde
• Presents several long poems in their entirety, such as Arnold's 'Empedocles on Etna', Clough's Amours de Voyage, Meredith's Modern Love and Tennyson's In Memoriam AHH
• Each poet is introduced by a biographical headnote
• Each poem is...

This title was first published in 2001. Ruskin said that 1860 marked the beginning of his 'proper work'. This study presents new, historicized readings of important texts and themes from that late period, 1860-1889, discussing in detail works including Unto this Last (1860), the Lectures on Art (1870), Fors Clavigera (1871-1884), and The Bible of Amiens (1880-85), and considering key themes such as Ruskin's politicized regard for Pre-Raphaelitism in the 1870s, and the complex topic of Ruskin and manliness. Claiming new and distinctive importance for this period of Ruskin's work, both in...

Worrying: A Literary and Cultural History suggests a unique approach to the inner life and its ordinary pains. Francis O'Gorman charts the emergence of our contemporary idea of worry in the Victorian era and its establishment, after the First World War, as a feature of modernity. For some writers between the Wars, worry was the "disease of the age."

Worrying examines the everyday kind of worry-the fearful, non-pathological, and usually hidden questioning about uncertain futures. It shows worry to be a natural companion in a world where we try to live by...

Forgetfulness is a book about modern culture and its profound rejection of the past. It traces the emergence in recent history of the idea that what is important in human life and work is what will happen in the future.

Francis O'Gorman shows how forgetting has been embraced as a requirement for modern existence and how our education, as well as life with fast-moving technology, further disconnects us from our pasts. But he also examines the cultural narratives that urge us to resist our collective amnesia. O'Gorman argues that such narratives, in rich but oblique ways,...

• Opens up for the reader the cultural world in which the Victorian novel was written and read.
  
• Crosses traditional disciplinary boundaries.
  
• Provides fresh perspectives on how Victorian fiction relates to different contexts, such as class, sexuality, empire, psychology, law and biology.

Readers of Victorian non-fictional prose were encouraged to believe that John Ruskin had died in 1860. Not literally, but intellectually and imaginatively. This study of his later life and work, first published in 2001, aims to refresh, revise and overturn certain perceptions about the writer that many readers still hold. This title will be of interest to students of history.

Readers of Victorian non-fictional prose were encouraged to believe that John Ruskin had died in 1860. Not literally, but intellectually and imaginatively. This study of his later life and work, first published in 2001, aims to refresh, revise and overturn certain perceptions about the writer that many readers still hold. This title will be of interest to students of history.