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This text looks at one of the masterpieces of French cinema, made under great difficulties during the German occupation in World War II, and set in the world of 19th-century Parisian theatre.

Designed specifically for combined language and social science courses, this text provides a concise survey, in English, of the politics, economics and society of modern France. It contains approximately 60 texts in French to illustrate themes in the book.

This major study of the contemporary French cinema includes a survey of the French film industry, chapters on major genres such as political and documentary cinema, women's cinema, comedy, the thriller and the history film, studies of eleven of the most significant post-1968 film-makers, together with extensive filmographies and a bibliography. Throughout the volume, discussion is related to the broader context of French culture and society with particular emphasis on the politics of representation, the interpretation of history, the nature of the popular issues of class and gender and the...

This book is a highly original introduction to the study of European cinema. Following a wide-ranging first part which asks whether European cinema exists and, if so, what its aesthetic, political, and economic characteristics might be, the book offers a series of fascinating and informative case studies of films from the major European film-producing countries including Britain and Russia.

In one stimulating source this successful text provides a rigorous analysis of the political, economic and social developments in post-war France. The analysis is supported by specially selected French language texts and exercises. This text is suitable for undergraduate students of French (especially within a languages, social science, or business course) and for courses in French Studies and European Studies.