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In "The Hammers of Creation," Eric J. Sundquist analyzes the powerful role played by folk culture in three major African-American novels of the early twentieth century: James Weldon Johnson's "The Autobiography of an Ex-Coloured Man," Zora Neale Hurston's "Jonah's Gourd Vine," and Arna Bontemps's "Black Thunder."

Sundquist explains how the survival of cultural traditions originating in Africa and in slavery became a means of historical reflection and artistic creation for modern writers. He goes on to illustrate and compare how the three representative novels use aspects of...

This powerful book argues that white culture in America does not exist apart from black culture. The revolution of the rights of man that established this country collided long ago with the system of slavery, and we have been trying to reestablish a steady course for ourselves ever since. To Wake the Nations is urgent and rousing: we have integrated our buses, schools, and factories, but not the canon of American literature. That is the task Eric Sundquist has assumed in a book that ranges from politics to literature, from Uncle Remus to African American spirituals. But the hallmark...

In a culture deeply divided along ethnic lines, the idea that the relationship between blacks and Jews was once thought special--indeed, critical to the cause of civil rights--might seem strange. Yet the importance of blacks for Jews and Jews for blacks in conceiving of themselves as Americans, when both remained outsiders to the privileges of full citizenship, is a matter of voluminous but perplexing record. It is this record, written across the annals of American history and literature, culture and society, that Eric Sundquist investigates. A monumental work of literary criticism and...