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This book illuminates the politics of Renaissance theatre culture and playbook publication by analysing how and why playhouses came to be referred to as 'public' or 'private'.
Acknowledgements Notes and Abbreviations Introduction 1. 'Public', 'Private' and 'Common' Stages, 1559-1600 2. The Emergence of the 'Private' Theatres, 1600-1625 3. 'Private' and 'Public' Indoor Theatres, 1625-1640 Epilogue: Privacy and Drama, 1640-1660 Works Cited Index
Eoin Price is Tutor in English Literature at Swansea University, UK. He has published in Literature Compass, The Map of Early Modern London, and The Year's Work in English Studies.