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Step off the lush carpet and push through the swinging door of the butler's pantry to enter the bustling realm of domestic workers at Maymont House from 1893 to 1925. In From Morning to Night, Elizabeth O'Leary takes the reader behind the scenes in the opulent mansion of the Richmond multimillionaire James H. Dooley and his wife, Sallie. Drawing upon personal letters, business and government documents, and numerous oral histories of older Richmonders--both black and white--O'Leary examines the parallel and divergent viewpoints of server and served in this Virginia version of...

With this publication, produced in conjunction with the largest expansion in the history of the Virginia Museum of Fine Arts, the full scope of the museum's outstanding American art collection is represented for the first time.

Following an introduction tracing the history of American art at this encyclopedic museum--a state-supported, privately endowed institution--readers will discover lively and generously illustrated essays about selected paintings, sculptures, and works on paper by many of America's leading artists: John James Audubon, Thomas Hart Benton, Mary Cassatt, Frederic...

July Fourth, "The Star-Spangled Banner," Memorial Day, and the pledge of allegiance are typically thought of as timeless and consensual representations of a national, American culture. In fact, as Cecilia O'Leary shows, most trappings of the nation's icons were modern inventions that were deeply and bitterly contested. While the Civil War determined the survival of the Union, what it meant to be a loyal American remained an open question as the struggle to make a nation moved off of the battlefields and into cultural and political terrain.

Drawing upon a wide variety of original...

For all the scholarship devoted to Mary Shelley's English novel Frankenstein, there has been surprisingly little attention paid to its role in American culture, and virtually none to its racial resonances in the United States. In Black Frankenstein, Elizabeth Young identifies and interprets the figure of a black American Frankenstein monster as it appears with surprising frequency throughout nineteenth- and twentieth-century U.S. culture, in fiction, film, essays, oratory, painting, and other media, and in works by both whites and African Americans.

Black...