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Much of Martinez's private iconography comes from the picket-fence California community of his youth, in which large events--from the veneration of pop icons (Jean Harlow, Ed Sullivan) to the Vietnam War--seemed to move in slow motion. As an adult, the poet tries to make sense of what the child could not grasp.

"Heartbreaking, overstuffed, seeping with history, lonelier than imaginable and truly in-the-face of American culture, Climbing Back's debris-field of prose poems tries with all its heart to outrun cultural paradigms and ends up refining our spiritual ignorance till it's our most gorgeous attribute." from Jorie Graham's citation for the National Poetry Series. "Dionisio D. Martinez's Climbing Back is an epic-poetic-cinematic response to culture, a one-book shorthand to the 20th century and beyond, a series of responses to the world that are imaginative rather than reductive." Susan Hussey,...

This study of the Iron Age II in Central Spain is based on fieldwork carried out between 1994 and 1996 in the Mesa de Ocana in Toledo. Following an introduction and background to the area, the author discusses the aims and methodology of the survey and presents a catalogue of the sites identified and their morphology. This study supports the idea of a dual settlement system in the later Iron Age (roughly the 8th/7th to 5th/4th century BC), with specialised sites coexisting with continuously occupied settlements.