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"Krell creates a remarkable interplay of meanings, allusions, and connotations--an interplay of multiple resonance which is finely tuned to Derrida's thought and which makes his essay as artful as it is conceptually disciplined. He is surely one of the most astute translators and readers in contemporary Continental thought." --Charles E. Scott

Heidegger's thinking has an underlying unity, this book argues, and has cogency for seemingly diverse domains of modern culture: philosophy and religion, aesthetics and literary criticism, intellectual history and social theory. "The theme of mortality--finite human existence--pervades Heidegger's thought," in the author's words, "before, during, and after his magnum opus, Being and Times, published in 1927." This theme is manifested in Heidegger's work not "as funereal melodramatics or as despair and destructive nihilism" but rather "as a thinking within...

"Daimon Life is life-enchancing. To read it is to become richer in wor(l)d." -John Llewelyn

Disclosure of Martin Heidegger's complicity with the National Socialist regime in 1933-34 has provoked virulent debate about the relationship between his politics and his philosophy. Did Heidegger's philosophy exhibit a kind of organicism readily transformed into ideological "blood and soil"? Or, rather, did his support of the Nazis betray a fundamental lack of loyalty to living things? David Farrell Krell traces Heidegger's political authoritarianism to his failure to develop a constructive...

"This is vintage Krell he is as always, a reader in the best sense of the word...." Dennis J. Schmidt

"Krell is a strong and often eloquent writer... I regard this to be one of his most important works...." Jason M. Wirth

In The Tragic Absolute, David Farrell Krell shows that German Idealist and Romantic theories of literature and aesthetic judgment, especially when it comes to tragedy, are closer to the heart of metaphysics and ethics than previously thought. Krell not only explores the contributions of Schelling, Holderlin, Novalis, Hegel, and Nietzsche to the aesthetics of...

The "deconstruction" that is commonly seen to be the method of Derrida's philosophy has an inescapably negative connotation. To counter this view of Derrida's thought as basically destructive, David Farrell Krell invites readers to understand how it may instead be seen as fundamentally affirmative--just as Nietzsche's philosophy, so allegedly nihilistic, is at heart a call for tragic affirmation, in amor fati.

But, while affirmative, Derrida is also engaged in a thinking of mourning, which he views as the promise of memory--a fragile yet vital promise that binds past and...

Jacques Derrida's final seminars were devoted to animal life and political sovereignty--the connection being that animals slavishly adhere to the law while kings and gods tower above it and that this relationship reveals much about humanity in the West. David Farrell Krell offers a detailed account of these seminars, placing them in the context of Derrida's late work and his critique of Heidegger. Krell focuses his discussion on questions such as death, language, and animality. He concludes that Heidegger and Derrida share a commitment to finding new ways of speaking and thinking about...

"Infectious Nietzsche is simply one of the most interesting and engaging works to appear on Nietzsche's philosophy in years."
--David Allison

Krell explores health, illness, and creativity in the life and thought of Friedrich Nietzsche. Drawing on a varied literature of philosophical reflections on health, and analyzing Nietzsche's confrontation with traditional values, Krell skillfully engages the legacy of Platonism and Western metaphysics that is at the core of Nietzsche's thought. Nietzsche's genealogical critique, his doctrine of eternal recurrence of the same, and the...

"Krell writes here with a brilliance of style that few other philosophers can match." --John Sallis

Although the Romantic Age is usually thought of as idealizing nature as the source of birth, life, and creativity, David Farrell Krell focuses on the preoccupation of three key German Romantic thinkers--Novalis, Schelling, and Hegel--with nature's destructive powers--contagion, disease, and death.