Dramatic Dance: An Actor's Approach to Dance as a Dramatic Art

ISBN-13: 9781408173817 / Angielski / Miękka / 2014 / 168 str.

Darren Royston

Opis

Dance is part of the art of theatre, a part which connects to movement, to communication, to improvisation, and to performance. It cannot exist on its own in the context of dramatic performance, but works in conjunction with other elements to enable meanings to be created in performance. Dramatic Dance sets a programme for actors to perform dance as part of the drama, offering several approaches which can contribute to developing this understanding, to training this skill, and always ensuring that the whole active and thinking body and mind are fully engaged with the task of making dance an integral and vital part of theatre. To study dance in this way allows students to develop further their understanding of logic and structure in a dramatic text. Many books deal with one aspect of dance or another: some on dance training, some on dance history, some on Rudolf Laban's ideas, some as dance manuals, and some as academic papers. Dramatic Dance is the first book to act as a comprehensive guide for theatre practice, bringing together these different, complementary disciplines.

Recenzje

Royston, a tutor at Rada, gives the reader a fascinating insight into the techniques used at this prestigious institution ... A lively exploration of how historical dance forms can be brought to life on stage. Gillian Spickernell The Lady

Spis treści

IntroductionAlternative Approaches: Making Dance DramaticChapter OneAncient Ideas: Dionysian OrchestrationChapter TwoMedieval Realms: Feudal FormationsVideo samples: [1] French Basse Danse: La Dame; [2] Royal Estampie: La Quinte Estampie RealChapter ThreeItalian Balls: Renaissance RhythmsVideo samples: [3] Italian Bassadanza for 2: Alexandresca; [4] Italian Bassadanza for 3: Pellegrina; [5] Italian Ballo for 2: Rostibolly Gioioso; [6] Italian Ballo for 4: AnelloChapter FourShaking with Shakespeare: Court and CountryVideo samples: [7] New Almaine; [8] La Volta; [9] Italian Balletto: Torneo Amoroso; [10] Washerwomen's Branle; [11] Country Dance for 2 couples: Rufty Tufty; [12] Country Dance for 3 couples: Shepherds' Holiday; [13] Country Dance for 3 couples: Picking of SticksChapter FiveBaroque Around the Clock: Mincing by the MinuetVideo Samples: [14] The Ballroom Minuet; [15] BourréeChapter SixNineteenth Century Coupling: Partners PleaseVideo samples; [16] Allemanding; [17] Mazurka; [18] PolkaChapter SevenTwentieth Century Foxtrots: Crazy Dances and Dance CrazesVideo sample: [19] CharlestonConclusionTaking Leave: The Final Bow

O autorze

Darren Royston is a Dance and Movement Tutor and Choreographer at RADA, and the Artistic Director and Choreographer for Nonsuch History and Dance. He is council member of many professional organisations including The Laban Guild for Movement and Dance, The European Association of Dance Historians, DANCE UK Choreographers' Forum and the Early Dance Circle (UK) and a member of UNESCO International Council for Dance.