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From Gary Larson's The Far Side to George Herriman's Krazy Kat, comic strips have two obvious defining features. They are visual narratives, using both words and pictures to tell stories, and they use word balloons to represent the speech and thought of depicted characters. Art historians have studied visual artifacts from every culture; cultural historians have recently paid close attention to movies. Yet the comic strip, an art form known to everyone, has not yet been much studied by aestheticians or art historians. This is the first full-length philosophical account of...

This book was written for sociologists concerned with education, but should be read by anyone interested in learning disability as a concept, either from a practical or theoretical standpoint. It is especially recommended for special educators and other professionals concerned with children who experience difficulties in school learning, as well as for the parents of such children. . . . Carrier has written an intelligent, well-documented, and important book that should provoke a great deal of controversy for some time to come. Contemporary Sociology

James G. Carrier...

The philosophical treatment of space and time has had a long history. This continuing interest stems not least from the fact that space and time form the basis of movement. Space-time philosophy encompasses a wide range of subjects, many of which, on first inspection, do not seem to have anything to do with space and time. Space-time philosophy is a matter of causality and probability, the Big Bang and Heat Death. It is a matter of the origins of each term's meaning and the inability to experience space-time theory first hand. It is a matter of Achilles and the turtle, as well as,...

Is writing a world art history possible? Does the history of art as such even exist outside the Western tradition? Is it possible to consider the history of art in a way that is not fundamentally Eurocentric? In this highly readable and provocative book, David Carrier, a philosopher and art historian, does not attempt to write a world art history himself. Rather, he asks the question of how an art history of all cultures could be written--or whether it is even possible to do so. He also engages the political and moral issues raised by the idea of a multicultural art history. Focusing on a...

Since 1989, two sites of memory with respect to the deportation and persecution of Jews in France and Germany during the Second World War have received intense public attention: the Velo d'Hiver (Winter Velodrome) in Paris and the Monument for the Murdered Jews of Europe or Holocaust Monument in Berlin. Why is this so? Both monuments, the author argues, are unique in the history of memorial projects. Although they are genuine "sites of memory," neither monument celebrates history, but rather serve as platforms for the deliberation, negotiation and promotion of social consensus over the...